How can generative art using programming help us in understanding aesthetics? What are the limits of this process? How can painting be developed further using this approach? Some of these questions this project aims to grapple with and explore by painting using code.
This project forms part of research in visual heuristics to determine simple learnings from complex visual language and be able to understand ourselves better through our drawings.
Some thoughts.. | About
Automimetic painting: Monalisa and the AI painters
Objkt
Faces of nature
Facing biases
A random walk through colour gradients
Colour wheel
Constructing drawings
The last hill to climb
Cheap wallpaper
Horizon gradients
Perlin river hills
Random space map
Circumscribe
Stellar light
Flower iris
Light construction
Loo azul
Parsley gone wrong
Doodle 🐩
Colour nets
Some more of the same
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Lerping flows
Moon over algorithm street
For Enit María
Amoraya
Moiré eyes
Shadow pyramids
Bezier bugs
Famous lines
Story of creation
Somewhere over the rainbow
A sort of symmetric existence
Between lines
City lights
Digidigdig
Meta trajectories
Klee intersections
Sara o araS
Animotion
Unending pallete
Connected at different speeds
Flying curtains
Shapes of repetition
Endless landscapes
Sweep on both sides
A maze for all ocassions
Sticky variations
Four stick landscapes
All that remains is one's perspective
Thoughts swaying with code
Many mountains to cross, but I can't seem to find
To whomsoever it may concern
Different tree same fruits
Mondrian arrangements
Stabbing tomatoes
Strawberry fields forever
No more than a butterly
Fleeting glimpses of flowers
Triangular sculptures
When the limit exceeds, it will collapse on itself
Auto portraits
Shady windows
Growing beards